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Here are all the paintings of GENTILESCHI, Artemisia 01
ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
6815 |
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Birth of St John the Baptist dfg |
c. 1635
Oil on canvas, 184 x 258 cm
Museo del Prado, Madrid |
6820 |
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Judith and her Maidservant sdg |
1612-1613
Oil on canvas, 114 x 93.5 cm
Galleria Palatina (Palazzo Pitti), Florence |
6818 |
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Judith Beheading Holofernes (detail) sdg |
1611-12
Oil on canvas
Museo Nazionale di Capodimonte, Naples |
6817 |
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Judith Beheading Holofernes dfg |
1611-12
Oil on canvas, 158,8 x 125,5 cm
Museo Nazionale di Capodimonte, Naples |
6819 |
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Judith Beheading Holofernes dg |
1612-21
Oil on canvas, 199 x 162 cm
Galleria degli Uffizi, Florence |
6821 |
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Mary Magdalen df |
1613-20
Oil on canvas, 146.5 x 108 cm
Galleria Palatina (Palazzo Pitti), Florence |
6816 |
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Portrait of a Condottiero dg |
1622
Oil on canvas, 208 x 128 cm
Palazzo d'Accursio, Bologna |
6822 |
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Self-Portrait as the Allegory of Painting fdg |
1630s
Oil on canvas, 96,5 x 73,7 cm
Royal Collection, Windsor |
6824 |
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Susanna and the Elders gfg |
1610
Oil on canvas, 170 x 121 cm
Schloss Weissenstein, Pommersfelden |
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GENTILESCHI, Artemisia
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Italian Baroque Era Painter, 1593-1652
Tuscan painter, daughter and pupil of Orazio Gentileschi, b. Rome. She studied under Agostino Tassi, her father's collaborator, who was convicted of raping the teen-age Artemisia in 1612. Over the years, she has been portrayed as a strumpet, a feminist victim or heroine, and an independent woman of her era and her life has been fictionalized in several novels and plays. In purely artistic terms, she achieved renown for her spirited execution and admirable use of chiaroscuro in the style of Caravaggio, and during her life she achieved both success and fame. In 1616 she became the first woman admitted to the Academy of Design in Florence. About 1638 she visited England, where she was in great demand as a portraitist. Among her works are Judith and Holofernes (Uffizi);
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